Most people in the races are wounded soldiers. A wheelchair race for cripples or amputees (one man falls out of his chair). A three legged race for nurses and patients in pairs, with the patients faci...
The King, in naval uniform, and the Queen visit the barracks to pay tribute to the sailors and marines involved. The Queen goes inside a hospital ward to talk with one of the patients. The royal party...
British soldiers dig the bombs out of the ground. A major turns one over in his hands (they are quite small).
Newsreel item on German incendiary bombs dropped near Faversham, Kent, March 1915.
A group of children, under the direction of two or three adults. Each takes a wicker basket and picks the blackberries from nearby bushes. One of the adults stands by a grocer's van with a Ministry of...
The Germans are from various branches and include some Austrians. The first camp is a large school or similar institution, with additional wooden huts built on its grounds. One group of officers poses...
The crews, of 203 Squadron, say goodbye to their families at the water's edge and take launches out to their flying boats. A number of newsreel cameramen, including one on a Pathé sound van, record t...
The battery canters into a field and unlimbers, deploying its guns, then relimbers and canters off. The battery canters in column head-on out of the field and turns away when close to the camera. One ...
The film depends for its effect on stop-action camera tricks. It opens with 'President Kruger' of the Transvaal Republic gloating over a bust of himself. Beside him, a large placard reads "On Majuba D...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
Wide shot of a corridor. Corporal Bartoněk (actor: Jiří Vondrovič) is standing on the right with an arm in a cast and bandaged eyes. Infantryman Tlamicha (actor: Theodor Pištěk) is standing next...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
R. Genenchen, Kriegsunterstützung und Kinobesuch, Der Kinematograph, 506, (1916), S. 17. Bericht darüber, dass die Gemeinde Weida/Sachsen Soldatenfrauen, die Kinos besuchen, die städtische Unterst...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...